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一直作為(🌠)米(👷)路斯．科(kē )(✒)曼劇本(📼)鐵三角（(🍩)另一(🌰)位是帕培錫，也是本片編劇之一(🎗)）成員的艾(🛤)雲．巴薩，當然(rán )也走(zǒu )低度戲劇路(lù )線。同是音樂家的(😎)彼德與卡洛(🕔)老友(👑)重逢(féng )，生(shēng )(🛍)活狀況(🕯)大不同，你(nǐ )有伴侶我有家(jiā )庭，然而都有(🥞)說(shuō )不出的不明(😻)朗，唯有以酒與音樂代替口水(⏺)。全(🌙)片(piàn )推展(zhǎn )不(bú )問目(mù )的，只在剎(chà )(😞)那(🖲)間的意(yì )圖，行行企(qǐ )企比起科曼(màn )更義無反(🐑)顧，卻有生活淡如流水(🙉)的詩意和繆思(🍄)，叫觀(guān )眾聯想到二十年後的伊力．盧(lú )馬。巴薩鍾(🧟)愛音樂的(de )程度不下(xià )於文(wén )(🈁)字(❕)和(💝)電(💹)影，古典音樂與民間音樂於全片迴轉迴盪，難怪成了奇斯洛夫斯基十大心愛電影(yǐng )之一。 康(kāng )城影展青年評(píng )審(shěn )團獎，美國全(🐞)國(guó )影評(🔞)人(rén )協會(📐)特(🔎)別(bié )(🌂)獎 (👄) (🐖) 這部(🔫)1966年(📞)的珍品，是捷克新浪潮短暫生命中最佳作(🛃)品之一(🧘)。成(🤼)名(❓)音(yīn )樂家到小(xiǎo )鎮探訪舊(jiù )同學(xué )，舊同學(⏺)是個(gè )窮音樂教(jiāo )師，有時在喪禮上(🐱)吹奏(💛)樂(👼)曲(qǔ )(😲)。平凡的(de )素(💨)材在巴素手裡，變出(chū )風(🐇)趣復(👆)罕(hǎn )見的旋(xuán )律，一部(🎁)憂(yōu )鬱的(de )喜劇，或灰色喜劇。 (🔝) - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (⛲) Special Award, National Society of Film Critics Awards (🛤) Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (👪) - Elliott Stein, Village Voice (🥙)Source HKIFF Czech New Wave 2006
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