剧情简介
康沃尔(ěr )渔(🌠)村(👷)的风景(⛲)明信(xìn )片田园诗误导了(le )人们(🃏)。虽(😘)然过去钓鱼(yú )是一种(zhǒng )养家糊口的方式，但(dàn )如今富有的伦敦游客纷纷下山(⏬)，取代(dài )了当(🏇)地人，当地(dì )人(⚫)的生(shēng )计因(👑)此(🎩)受(shòu )(🤷)到威胁。史蒂(👁)文(🙍)和(hé )马丁(🔲)兄(xiōng )弟的关系也很紧张。马(🎫)丁(dīng )(🥞)是(shì )一(😚)个没有船的(🚸)渔夫，因为史蒂文开(kāi )始用它来为(wéi )(🌙)一整(🧚)天(tiān )的游客(kè )提(📯)供(🚨)更赚(zuàn )钱的旅(lǚ )游(yóu )。他(tā )(🦗)们卖掉了这座家庭(🗞)别(bié )(🙂)墅，现在(zài )看来，最后(hòu )一场战斗是和新(⛓)主(🎾)人(rén )在(🈴)海边的(de )停车(chē )位(🧤)上(🔔)展开。然而(ér )，情况很快就失控了(le )，而不仅仅(jǐn )是因为车轮夹钳。 (💹) Bait是一种黑白，手工(gōng )制作(🐛)，16毫米胶(jiāo )片制(zhì )(🌪)作的电(🚶)影。许多关于鱼、网、龙(🐡)虾(xiā )、长靴、绳(shéng )结和渔(🔤)篮(lán )的特写镜(jìng )头(👵)让(ràng )(♌)人想起了(le )蒙太奇(qí )景(🚲)点的理论。对不同社会阶层的(de )描(🌸)述—(⏳)—可以说是阶(jiē )级(jí )关(guān )系——也让人(🔪)想起了英国电(diàn )影(💅)中的社会现实主义传统。然而，最(zuì )重要(⏺)的是，在影像中不同(🌲)层次的电影历(🖱)史(shǐ )参(cān )(👼)考文献之下，当前(qián )许多政治关联正在等待(dài )被发现。 (🏆) The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations –(🌯) is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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